A working bibliography for ArtString 2.0
Bennett, Tony. "The Exhibitionary Complex." In The Birth of the Museum: History, Theory, Politics. London: Routledge, 1995, pp. 59–88. (First in New Formations 4, 1988.)
Haraway, Donna J. "Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective." In Simians, Cyborgs, and Women: The Reinvention of Nature. New York: Routledge, 1991, pp. 183–201. (First in Feminist Studies 14:3, 1988.)
Nagel, Thomas. The View from Nowhere. New York: Oxford University Press, 1986.
Weil, Stephen E. "From Being about Something to Being for Somebody: The Ongoing Transformation of the American Museum." In Making Museums Matter. Washington, DC: Smithsonian Institution Press, 2002, pp. 28–52. (First in Daedalus 128:3, 1999.)
Hooper-Greenhill, Eilean. "Education, Communication and Interpretation: Towards a Critical Pedagogy in Museums." In Eilean Hooper-Greenhill (ed.), The Educational Role of the Museum, 2nd edn. London: Routledge, 1999, pp. 3–27.
Barthes, Roland. "The Death of the Author" (1967). In Image–Music–Text, trans. Stephen Heath. London: Fontana, 1977, pp. 142–148.
Jauss, Hans Robert. "Literary History as a Challenge to Literary Theory." In Toward an Aesthetic of Reception, trans. Timothy Bahti. Minneapolis: University of Minnesota Press, 1982, pp. 3–45.
Iser, Wolfgang. "The Reading Process: A Phenomenological Approach." In The Implied Reader. Baltimore: Johns Hopkins University Press, 1974, pp. 274–294. (Developed at book length in The Act of Reading, 1978.)
Eco, Umberto. "The Poetics of the Open Work." In The Open Work, trans. Anna Cancogni. Cambridge, MA: Harvard University Press, 1989, pp. 1–23. (Italian, Opera aperta, 1962.)
Rancière, Jacques. "The Emancipated Spectator." Title chapter in The Emancipated Spectator, trans. Gregory Elliott. London: Verso, 2009, pp. 1–23. (French, 2008.)
Eco, Umberto. The Infinity of Lists, trans. Alastair McEwen. London: MacLehose Press, 2009.
Borges, Jorge Luis. "The Analytical Language of John Wilkins." In Selected Non-Fictions, ed. Eliot Weinberger. New York: Viking, 1999, pp. 229–232. (First in Otras Inquisiciones, 1952.)
Lakoff, George. Women, Fire, and Dangerous Things: What Categories Reveal About the Mind. Chicago: University of Chicago Press, 1987.
Fraser, Nancy. "Rethinking the Public Sphere: A Contribution to the Critique of Actually Existing Democracy." In Craig Calhoun (ed.), Habermas and the Public Sphere. Cambridge, MA: MIT Press, 1992, pp. 109–142. (First in Social Text 25/26, 1990.)
Habermas, Jürgen. The Structural Transformation of the Public Sphere, trans. Thomas Burger. Cambridge, MA: MIT Press, 1989. (German, 1962.)
Ahmed, Sara. "Institutional Life." Ch. 1 in On Being Included: Racism and Diversity in Institutional Life. Durham, NC: Duke University Press, 2012, pp. 19–52.
Nielsen, Jakob. "Participation Inequality: The 90-9-1 Rule for Social Features." Nielsen Norman Group, 9 October 2006.
Ridge, Mia. "Introduction." In Mia Ridge (ed.), Crowdsourcing Our Cultural Heritage. Farnham: Ashgate, 2014, pp. 1–13.
Shirky, Clay. "Publish, Then Filter." Ch. 4 in Here Comes Everybody: The Power of Organizing Without Organizations. London: Penguin, 2008, pp. 81–108.
Doctorow, Cory. "TikTok's Enshittification." Pluralistic / Wired, 21 January 2023.
Noelle-Neumann, Elisabeth. "The Spiral of Silence: A Theory of Public Opinion." Ch. 1 in The Spiral of Silence: Public Opinion – Our Social Skin. Chicago: University of Chicago Press, 1984, pp. 1–17.
boyd, danah. "Social Network Sites as Networked Publics: Affordances, Dynamics, and Implications." In Zizi Papacharissi (ed.), A Networked Self: Identity, Community, and Culture on Social Network Sites. New York: Routledge, 2010, pp. 39–58.
Turkle, Sherry. Reclaiming Conversation: The Power of Talk in a Digital Age. New York: Penguin Press, 2015.
Clifford, James. "Museums as Contact Zones." Ch. 7 in Routes: Travel and Translation in the Late Twentieth Century. Cambridge, MA: Harvard University Press, 1997, pp. 188–219.
Latour, Bruno. Reassembling the Social: An Introduction to Actor-Network-Theory. Oxford: Oxford University Press, 2005.
Gurian, Elaine Heumann. "Function Follows Form: How Mixed-Used Spaces in Museums Build Community." In Civilizing the Museum: The Collected Writings of Elaine Heumann Gurian. London: Routledge, 2006, pp. 81–94.
Benjamin, Walter. "The Work of Art in the Age of Its Technological Reproducibility" (1936). In Illuminations, ed. Hannah Arendt, trans. Harry Zohn. New York: Schocken, 1969, pp. 217–251.